Hello and welcome to the seventeenth installment of Amateur Batfan, a series of blogposts here at Kincrimsonblog where I try something new. Instead of writing exclusively about music like I usually would, I’m dipping my toes into the field of writing about comics. I’m fairly new to comics. You can read about my history with the comics medium in the first entry of the series.
Long story short, I liked comics-related stuff but found the whole idea of being a comics fan too embarrassing, and some of the comics I did try were lacking-in-depth, so I didn’t like comics themselves until my friend Paul opened my mind, multiple times over the years until I finally allowed myself to enjoy them. I had a sort of snobbery to overcome. Its been overcome now though, and I’ve spent most of the last year-and-a-half buying and reading Batman comics to the point where I personally own over seventy of them now, which I will now blog about for your reading pleasure and commenting-inspiration (seriously, I want to know what you think about these comics).
On with the show.
This entry is going to focus on Alan Moore’s sole contribution to the world of Batman; his one-shot graphic novel, The Killing Joke. There’s a lot of interesting opinions about this one. Some people consider it one of the top-four Batman stories of all time alongside The Dark Knight Returns, Year One and Arkham Asylum A Serious House On Serious Earth. Some consider it to be overrated trash. Some people think it is bad for Alan Moore and not up to his usual standard. Some people think it’s the definitive Joker story, others think that its almost blasphemy to give the Joker an origin and also that Batman acts out of character here. Some people hate the way Barbara Gordon was treated and hate it for being too gratuitous.
Grant Morrison thinks it ends with either Batman killing the Joker or vice versa (my memory is foggy after doing too many twelve-hour night-shifts, and not having been to sleep since the last one).
The copy I own is the deluxe edition where its been recolored and printed on nice glossy paper. Some people hate that because it messes with a classic. Some people love it and think it helps it look modern.
Batman – The Killing Joke:
– Writers: Alan Moore
– Art: Brian Bollard
– Colours: (in this case, Brian Bollard)
– Continuity: Post-Crisis, Pre-Flashpoint
– Timeline Position: Mid career, pre-Death In The Family, pre-Kinghtfall.
– Batman is: Bruce Wayne
– Villains: Joker, Some Freaks, Red Hood gang, Danny Weaver
– Cameos: Two Face, Penguin
– Allies: Alfred Pennyworth, James Gordon (Police), Barbara Gordon,
– Bystanders: Jeannie Kerr
– Art: I think everything about this book looks excellent. Its definitely good for its time and held up well. In fact its good even for now.
– Tone: I love the tone here. Its very much like an episode of The Sopranos or any other guns-and-cops HBO show you could think of.
– My Thoughts: Let me address the above points one by one… I do think it deserves to be in that list. I personally don’t think its better than some stories like Long Halloween or Arkham Asylum, nor is it anywhere near as brilliant as Year One, but I think it feels like its supposed to be ‘up there’ and heck, I personally enjoy it more than The Dark Knight Returns.
I haven’t read any other Moore comics so I can’t comment on whether its poor for him, but let me say that if its poor for him, good for him must be astonishing.
I don’t think it ends with a death, not at all. Not subtly, not hinted at, not metaphorical. I think it just ends. It ends with Joker being about to be arrested once again and I reckon it’s a statement on the banality of the repetition of the endless arrest/crime Joker cycle rather than any secret murder.
I love how this book looks. I read the original coloured version too a about a year ago so its not that I haven’t seen both. I just like it. I like pretty glossy paper. I like big easy-to-read print and I like this colour palate a lot. It’s a bit more Arkham videogame series and a bit less Watchmen comic. I love The Watchmen’s story and art (oh wait, that was Moore wasn’t it? Damn… Yeah, this aint as good as that!) but not necessarily the colour scheme.
I also don’t mind the Barbara thing, and all the slightly sinister, uncomfortable rapey overtones that some people complain about. I think it works well and gives the story a lot of serious dramatic weight. Makes it feel a bit Mystic River.
It was good for a book to point out ‘hey, Batman is a bit of an insane idea’ and even though it started a thing that people can get sick of, it works well here in this book.
Basically, I think this is a nice, tight, enjoyable book, with a sensible length and good pacing. I enjoy it more than the bloated Knightfall, but wouldn’t call it a favourite.