That hybrid sound isn’t quite so pronounced this time around though. There’s nothing on here that’s as heavy as the band’s heaviest output, there’s nothing as progressive as the band’s most progressive moments, there’s nothing as fast as the band’s fastest moments. Nothing is so sugary or so lush as the band’s most grandiose ballads of yore. There’s no summery happy single. There’s no ‘Welcome Home’ or ‘No World For Tomorrow’ or ‘Domino The Destitute’ or ‘Sentry The Defiant’ type big smashing centrepiece either. Even Sanchez’s usually immensely emotional, evocative and expressive vocals are a bit more restrained. He’s usually singing about the most dramatic point in a character’s entire life, and Claudio can really make you feel that. Here he still has the talent and the signature style but the performance is a bit more held back, a foot off the gas pedal and less hair raising.
As an album; its very much Coheed on the ‘medium’ setting. As such, it took the album a bit longer to really click with me than usual… but click it did. I’ll admit, the very first time I heard this record in full I didn’t like it much and I could imagine it getting bad reviews from professional critics without the time to really let it sink in because of the fact its such a grower and it does take a bit of listening to reveal all its secrets and hidden depths. Its not even as if it’s a return to roots or going back to their early sound either because although its poppy and cheerful it doesn’t really sound much like Second Stage Turbine Blade either. It’s a bit more raw, honest, stripped back and realistic. The emotions are more human. If you’re willing to give it a chance, the quality’s absolutely there though.
The other big talking point about this record is that the lyrics are no longer conceptual or telling the Amory Wars story, but you’d be hard pressed to notice sometimes with all the mentioning of moons and planets and returning words and ideas the band always use like ‘home’ and ‘love’ etc. The band write about relationships, fatherhood, artistry and similar topics here, same as always in one way, just without the sci-fi angle. There’s some great memorable lines here, with ‘Ghosts,’ ‘Atlas’ and ‘The Audience’ being especially interesting.
The album also goes to town on lots of sing-along moments, there’s a real surplus of ‘woah ah ooooh’s and ‘da dada da’s. It seems like the band are compensating for the lack of power with pleasant smiley moments, and it works well. There’s also a few really sweet, enjoyable guitar lines that’ll stick in your head. Now, on top of that there are some seriously fun moments and memorable choruses; the opener ‘Island’ as well as the singles ‘Here To Mars’ and ‘You’ve Got Spirit, Kid’ in particular are all worth checking out. Another major highlight is the subtle and understated ballad ‘Ghost’ which has some different sounding vocals from Claudio.
Overall; this is a more mature, mid-paced, cohesive and restrained album from Coheed & Cambria. It isn’t as instant or dramatic or adventurous as some of the band’s back catalogue but it is enjoyable and it is worth your time. There’s just something very good about it, it is a real grower, its earthy and honest and it is just very well crafted and succinct with no filler and an absolute boatload of hooks. I recommend it to anyone who’s ever had an interest in the group.