I absolutely loved Black Country Communion and was gutted when they split up. Their music was so fresh, vibrant and energetic despite its obvious homage to the past and they really were just about the best Hard Rock band doing the whole ’70s-worship sound of recent years. All three of their albums from before their split have at least five songs that are among my favorite ever songs and which are better than just about any of the classic ’70s band’s modern output for my personal taste.
How happy was I then, when I heard they were getting back together. I remember reading on Blabbermouth all around the time of their split (and yet again when California Breed, a band with some of the same members, formed) about how lead guitarist and occasional singer Joe Bonamasa was too famous and busy in his own right to give Black Country Communion the time, as his schedule simply wouldn’t allow it. I remember hoping for the day he’d have the time again. Well, thank goodness its all sorted and we have more from this band. You can see the phoenix on the cover illustrating the band’s reformation.
There’s a certain magic when Glen Hughes, Jason Bonham, Derik Sherinian and Joe Bonamasa get together, (only heightened by ‘fifth member of the band,’ producer Keven Shirley). The bass and drums match styles perfectly, the keys accentuate the vocals so well, the guitar and key solos fit well together, both vocalist’s styles gel, the guitar works so well with the rhythm section. Its all so perfectly balanced, and thanks to the roomy production it all sounds so big and warm.
Basically; this reunion record has a lot of expectations to live up to. On first listen its nice to hear they are keeping up the same style of music and doing the same sort of thing. Its not suddenly taken a rap or electronic turn, they haven’t chucked it all away and went pop or something. Its exactly what you’d hope for, stylstically.
There’s plenty of depth, characther and a fair bit of variety. A lot of the tracks stretch out a bit, many lasting seven or eight minutes. There’s a nice balance of slow and fast, of hard and soft, of thoughtful and of instantaneous. There’s moments that lean a bit more into each of the member’s individual territories and there’s moments when its a mixture of all.
After knocking you over the head (no pun intended) with two mid paced Hard Rockers, for example, they drop a very interesting folky number. If you liked ‘The Battle Hadrian’s Wall’ then you are sure to dig ‘The Last Song for My Resting Place.’ If you like things a bit slower, sexier and well, blusier then at the album’s midway point they drop ‘The Cove’ which has some seriosuly good guitar and very atmospheric keys. Eight-minute album closer ‘When The Morning Comes’ starts out on a slow and sombre note before kicking off.
If you like the band at their faster and heavier however (think ‘The Outsider’ or ‘Confessor’) then they’ve got that here too, on ‘Sway.’ ‘The Crow’ does it too, sounding initially like a rip-off of RATM’s ‘Bulls On Parade’ before hitting the gas and running away with the speed.
I think my favourite track has to be either ‘Over My Head’ with its fun stop-start verses and its catchy ‘yeah-e-eah’ hook, or else ‘Awake’ which doesn’t really sound like anything they’ve done before, it starts off jaunty and almost indie rock but has a kind of ‘Achilles’ Last Stand‘ vibe in the verses and then goes into a full-on Yes meets Dream Theater solo-trade-off.
Overall; BCCIV had a lot of high expectations to meet, and luckily it holds up really well. They do what they do best, they try some new things, they balance all the different shades of their sound well and present an entertaining record that keeps you guessing but that fits together into a stylish hour long journey. The quality of the material is damn strong, the musicianship is exemplary, the production job is of course perfect and even though I’m biased and just glad to have the band back, I’d say this is absolutely good enough to sit alongside their previous work. I’d recommend checking it out if you’ve ever been a fan!