There’s an argument to be made that a lot of bands put out their best material on their first to fifth album, or before they turn 40 years old. Think about all the bands who were better when they were newer. Of course, there are exceptions. Notable among those exceptions are New York’s mighty Groove Metal Veterans, Prong.
Tommy Victor, who basically is Prong in the way that Dave Mustaine basically is Megadeth or Trent Reznor is Nine Inch Nails or Jeff Waters is Annihilator, has arguably only been getting better and better the more he works. Especially since the band really hit their new stride with their 8th studio album, Carved Into Stone in 2012. Basically, ever since then, everything the band touch has turned to gold. Great production, great tone, great vocals, great choruses, great riffs. Absolutely consistent, basically no filler, no drop-off from album to album.
You may have guessed already from that introduction, but I like Prong’s newest album, 2017’s Zero Days. I like it a lot. It is Prong’s 11th full-length studio album (not counting remixes, covers albums and compilations), and it is an absolute gem.
It follows that perfect formula of the past three studio albums perfectly, delivering more of that fantastic modernized Groove Metal with small hints of the different parts of their career all refined and with a lot of chug, pace and groove balanced out with catchy but not saccharine melodies. ‘Bad Ass’ are really the best words to describe their current sound.
Combining the crunchy, crushing riffs of a Pantera, the eerie melody and mechanical sensibilities of a Fear Factory, the hardcore-influenced groove of a ’90s-era Sepultura and muscular power of a Machine Head, but with an updated sound and masterful production job; Prong batter the audience with a perfect blend of styles as easily enjoyable by a Black Label Society fan as a Five Finger Death Punch or a Pitchshifter fan.
Highlights include the speedy Hardcore influenced ‘Force Into Tolerance’ with its bouncy floor tom drive, opener ‘However It May End’ & also ‘Interbeing’ with their fat bouncy ’90s riffing, as well as ‘The Whispers’ which seems to be a hark back to their classic single ‘Snap Your Fingers, Snap Your Neck’ but with a much more melodic chorus that sounds like it should be in a pro wrestling event.
Just because they’ve been going a while, doesn’t mean Prong aren’t putting out some of the best material of their whole career. This album is a superb blend of tooth-kicking riffage and sweet but uncommon melody. It has all the advantages of Nu Metal without all the questionable drawbacks. Its fun, its bouncy and its accessible, but it still has ferocious riffs, impressive guitar solos and a direct through-line to beefy hardcore, classic thrash metal, and the slightest hints of industrial lurking deep in the background. If any of that sounds good to you, check this album out and check the three studio albums that preceded it too. You won’t be sorry.