Riverside – Wasteland Review

Polish Prog Metal band Riverside suffered the terrible loss of their lead guitarist Piotr Grudziński less than half a year after their superb sixth full-length studio album; Love, Fear & The Time Machine.

After the difficult decision to carry on without replacing him, their next and at time of writing newest album was released in 2018 via InsideOut Music and met with deserved acclaim (and surprisingly in this day and age, sold relatively well for a prog album, continuing their streak of gold albums in their homeland).

It can’t have been easy carrying on without such a key member of the band, who’d been there since the very start, but somehow they managed to create a beautiful, affecting, and very interesting album with no loss of quality, while also not losing their ‘sound’ or ‘spirit’. If they had understandably chosen not to continue after 2016, they would have been leaving us with a wonderful catalogue. As it stands however, on Wasteland they do a masterful job of continuing their genuinely near-flawless discography and only solidifying their legacy as absolute masters of the genre.

The actual playing and vocals are top notch. The production and mixing and have a tasteful, stripped back, classic-sounding, raw feel that perfectly suits the material and the place in the band’s discography.

The real magic of the album however, comes from the material here, which is simply wonderful from start to finish. There isn’t one track I would lose, edit or alter. Nine perfectly balanced no-fat tracks over 50 minutes and not outstaying its welcome.

Its so good all the way through it could be difficult to choose highlights, but if you like the band at their proggiest, then check out nine-and-a-half minute “The Struggle For Survival” which features a bit of a 21st Century Schizoid Man/Heart Of The Sunrise/The Necromancer vibe with a lot of instrumental muscle flexing with some brilliant bass and keyboard showing off (and Maciej Meller’s guest guitar solo is especially quite entertaining in a Fripp sort of way). If however you prefer the band just writing good songs; then the varied ‘Veil Of Tears’ and the haunting and touching semi-ballad ‘Guardian Angel’ for example are two of the best songs the band have ever released to date.

This is a record with a lot of up front charm and instantaneous gratification, but a lot of mood, atmosphere and subtle depth as well and even the tracks that don’t drop your jaw right away become favourites in time (I like “River Down Below” more every single time I hear it for example, and I do mean every single time, I can’t say that for many other bands). As with all the Riverside albums to date, I can’t recommend it enough.

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