I went to go see Testament, Exodus and Death Angel live last night, on The Bay Strikes Back Tour at Bristol 02 Academy, on Tuesday 02.03.2020

I went to go see Testament, Exodus and Death Angel live last night, on The Bay Strikes Back Tour at Bristol 02 Academy, on Tuesday 02.03.2020.

As you probably know if you read this blog, I really, really like Thrash – it is my unquestionably favourite type of music.

Boy, I was so pleased when I saw this concert bill advertised. This is one hell of a concert line up! Three bands that I’ve been listening to since my teens, together on one bill, all playing Bay Area Thrash Metal, my favourite type of music bar none.

The media always likes to talk about the Big Four of Thrash Metal, (all of whom I’ve been lucky enough to seen live before!), but for me it has always been the Big 6 with Exodus and Testament in there too.

Exodus and Testament are so representative of everything good about Thrash. I can never decide which one is my favourite and it can change on any given day. In fact, Exodus and Testament logos occupy both the left and right shoulder positions on my patch jacket, equal in size and position. I’m also quite partial to early Death Angel and their Act III album in particular is one of my favourite Thrash albums.

[Trivia fans may also be aware that there are a few other connections between these three bands. I’ll type just a few here now – Death Angel’s demo was produced by Kirk Hammet, who was in Exodus, and Exodus’ singer Steve Souza was the singer of Testament before their debut album, back when they were called Legacy. Nice connections there].


I’ve been lucky enough to see Exodus before, back in 2016, when I lived in Manchester, on a bill with Prong and Obituary. That gig that got me into Obituary and properly into Prong where before I was just a causal fan. This is my first time seeing the mighty Testament live though, and I couldn’t be more excited. (Crazy as it sounds, sometimes I almost feel like I’ve seen them before though, as I have watched their Live In London DVD more than 50 times, to the point where reality blurs and my memories of it almost feel like I real memories and like I was there). Its also my first time seeing Death Angel live who are a perfect opener for such a bill.

As has become a habit of mine in recent years, I have been listening to these bands constantly in the weeks leading up to the concert, building anticipation. I also listened to them all on shuffle on the drive to the concert, which was in Bristol. This is only my second ever concert in Bristol, as I fear the unfamiliar and large city and much prefer the convenience and familiarity of Cardiff for concerts most of the time – but this line up is too good not to travel for!

I thought since it’s a bit of a stressful drive, I’d book the day afterwards off work, so I don’t go to work on less sleep than usual. Turns out I’m an idiot though, as I booked the day of the concert off rather than the day after! Woops! Oh well, at least I wasn’t in a rush to get there after work then. I tried to get some sleep beforehand to balance it out.

It was much less stressful navigating my way there this time as I made no wrong turns and I was familiar with the parking lot (which is down a weird cobbled side street that looks like you aren’t allowed to drive down) so everything went smoothly. After I queued up and got in, I was just in time to catch Death Angel’s first song. Somehow, I managed to get a good spot with a good view, only a few places from the stage slightly to the left of the venue, stage right.

Death Angel’s setlist was mostly a mix of tunes from their modern post-reunion albums. I only own one studio and one live album from the modern era so far, so it was a bit unfamiliar with the material they chose. They only played two and a half songs from the classic first three albums (‘Voracious Souls’  and a little bit of the title track from their debut album The Ultra-Violence and then the classic opener ‘Seemingly Endless Time’ from their masterpiece Act III). Nevertheless I had a great time.

Death Angel call for blood, and you’ve not spilled enough!

Their performance was great. Tracks like ‘Thrown To The Wolves’ and especially ‘The Dream Calls For Blood’ sounded really powerful and energetic live. There wasn’t much of a stage show, but they really didn’t need it. They really got the crowd gonig with their enthusiasm and crowd ineraction.

I was quite happy with how into it the crowd were. Sometimes the crowd doesn’t go for the opening act. When I saw Diamond Head support Saxon, the vibe was utterly dead for Diamond Head until their last song, but here, people treated Death Angel like a headliner. There were sections of people throughout the room singing every word and most of the crowd were thrashing like a maniac, so to speak. It was a perfect way to start the evening.

Death Angel

The sound was really well mixed. It was a thousand times better than Megadeth had been recently. You could hear everything perfectly but it still had a real crunchy, aggressive power. The vocals soared, the leads were clear and the drums hammered at you. The rhythm guitars hit that sweet crunch spot that makes Thrash so perfect.

In the gap between bands I managed to get closer to the stage still as people went off to find drinks and toilets. I’m not a push to the front kind of guy and am allways mindful of people behind or beside me’s personal space, so sometimes you can’t get the best view, but I got a pretty great view through sheer luck.

Next came Exodus. Steve ‘Zetro’ Souza is still fronting the band. Its nice to see some line-up stability, as there was a lot of upheaval over the years. Tonight was my first time seeing them with main guitarist Gary Holt in the band. Last time I saw them, Garry wasn’t there as he was busy touring with Slayer at the time, following the untimely passing of Slayer’s Jeff Hanneman. Tonight he played a little snippet of ‘Raining Blood’ and Zetro quipped about how he could do it legally now due to having been in Slayer.

Holt and Altus

[Trivia fans may also be aware, just for more Thrash connections, that Exodus’ current line-up featurs Heathen’s Lee Altus. Heathen have also previously had Exodus’ first singer Paul Baloff in their line-up briefly and they currently feature former Slayer drummer Jon Dette.

There are innumerable other trivia links between these bands. If you want to get on with the review, skip to after these brackets. Otherwise; strap in guys, this is a convoluted one…

Also worth mentioning since we’ve brought up Slayer, is that both Testament and Exodus have had Slayer’s second drummer Paul Bostaph behind the kit, and Testament have also had Slayer’s first drummer Dave Lombardo, and while we’re talking about shared drummers – both Testament and Exodus have both had John Tempesta on drums!

The aforementioned Paul Bostaph used to be in Forbidden, who have also had Glen Alvelais, and Glen was in Testament in the ‘90s and has been in Tenent alongside Exodus’ singer and Steve Souza. Testament’s current drummer is former Dark Angel drummer Gene Hoglan. Hoglan has also been in Forbidden briefly and done backing vocals and drum teching for Slayer in the early days.

Speaking of Hoglan, this not strictly Thrash, but he has been in Death with Steve DiGorgio, but it loops back around to Thrash, as DiGorgio is Testament’s current bassist – Its like musical chairs in the Trash Metal world!

I haven’t even gotten into all the Machine Head links yet. Don’t get me started. I had a whole blog about this stuff in my teens called The Thrashagram. Its proably kid’s stuff looknig back at it now, but at the time I was pretty proud of it].

Anyway… When I saw Exodus last time, their performance was great live. I remember writing at the time that if you get the chance to see them, no matter how high up or low down on the bill they are, you really must take it. They aren’t a nostalgia act, they’ve still got the fire in their eyes. This time however, they were even bloody better! They were utterly amazing. On fire. In the zone. Blistering. Whatever you want to call it, they tore the venue a new one. What a difference a Holt makes, am I right?

Zetro made a big speech about how Holt was back and how we were all lucky to catch him on his first UK date back in the fold, and by god was he right. The energy, chemistry and indescribable x-factor going on made the performance utterly captivating. Zetro made a few speechs that night, including one about Bay Area Thrash that really locked into my old teenage love of Thrash and made me smile like a goon.

Exodus’ set was more balanced between their modern and classic material than Death Angel’s had been. They didn’t have enoguh time to cover ever single album, but they hit all the key periods. There were a few tracks from their Paul Baloff-fronted debut Bonded By Blood, a few from the Souza-fronted ‘80s albums (my favourite era of the band), a few from the Souza-fronted modern albums and even one from the Rob Dukes era.

It is nice that they mix the setlist up. Last time I saw them, they didn’t play ‘Deliver Us To Evil’ or ‘Fabulous Disaster’ for example. Last time I saw them, they played ‘The Ballad Of Leonard And Charles’ from the Dukes era, and this time they played the cleverly titled ‘Deathamphetamine.’ I love how this band play material from all eras. It’s a lot better for us fans than situations where some bands have a line-up change or reunion and the returning old guy refuses to play material from his former-replacement’s era. Most fans want to hear it all.

Murder in the front row, crowd begins to bang!

The band were tight, the sound was great again and they played some of my favourite songs (I was so happy to hear ‘Fabulous Disaster’ and ‘Black List’). What a brilliant time. If the night ended here, I would have been utterly satisfied.


Finally came the headliner, Testament. This band’s first four albums absolutely defined my teens and their mighty comeback album The Formation Of Damnation was the metal oasis in my otherwise prog-centric first year of university.

Testament were great live too. Their sound was a bit more restrained and less savage than it had been for Death Angel or especially Exodus. Furthermore; Gene ‘The Atomic Clock’ Hoglan’s drumming is mechanical and perfect, compared to Tom Hunting’s crazed and exciting beast-man drumming style. This made for a nice contrast, and was suited for Testament’s more melodic parts, even if it was a little less pulverising in the heavy parts than Exodus had been.

Atomic Clock

What they lost in savagery however, they made up for in professionalism. Compared to the other two bands, Testament got more time and more of a stage show, with an hour-and-a-half set. Clearly the headliners then!

They had banners, smoke cannons, lazers and a much more colourful light show. The banners changed depending on what album they were focusing on. They had raised points for the guitarists to climb on during solos. Eric Peterson in particular was really impressive. Many of the solos I always thought were Alex from the newer records, were actually Eric. Live, he delivers them with such flare and precision it was a joy to watch.

Peterson slays!

Speaking of joy, after all those years of watching Live In London on repeat, my brother and I always talked about how much fun singer Chuck Billy has. The man looks like being in Testament is his dream come true and that he’s having the best time in the world. His huge smiles as he plays air guitar on his mic stand, and air drums in sync with all the cymbal catches are so infectious. I feel like he is Testament’s number one fan and his joyous enthusiasm is such fun to behold.

Native Blood

No setlist at any concert ever satisfies everything I want to see, and tonight I’d love to have seen the title track from Souls Of Black or something like ‘Alone In The Dark’ or ‘Apocalyptic City’ from their debut. Most of all, I would have really loved to have heard ‘More Than Meets The Eye,’ from Formation Of Damnation which I think may be the band’s finest hour, but overall I was really satisfied with Testament’s choices tonight. Their set list was a real mix as well, not just all old not all new. They covered early stuff, mid-period-stuff, and even a brand-new song from the as yet unreleased next album.

They also played a few songs from their most recent album, The Brotherhood Of The Snake which I’ve been meaning to review for ages now, but spoilers, they managed to play the best two songs from it! Huzzah! Combined with many of my favourite tunes like ‘Practice What You Preach,’ ‘Over The Wall,’ ‘The Preacher’ and ‘Into The Pit’ I was pretty chuffed.

Disciples Of The Watch

Overall, this night was a thrash fan’s dream night if ever there was one. Once again, if it had just been Testament and Death Angel, I would have been wholly satisfied. However; given the utterly perfect set from Exodus, this was a whole other level of good. (And to cap it all off, the traffic and roads were so good, I managed to get home in time to get a fair amount of sleep for work next day! Bonus!).

Next on my concert schedule: Rammstein in Cardiff this Summer, Helloween in Manchester around Halloween, and then WASP doing only tunes from the first four albums in Cardiff a few days after Helloween. (Possibly Sepultura too, depending on money, work and tickets – I’m thinking about it).


 


I went to go see Slipknot live last night at Cardiff Motorpoint Arena 22.01.20

I went to go see Slipknot live last night at Cardiff Motorpoint Arena 22.01.20. I almost didn’t get to see them though. I was sat there logged into the site, ready to buy tickets for 30 mins before they went on sale. I counted the seconds and got ready to buy them at the precise second they went on sale. However, disaster struck. They sold out in a single second (except for super expensive VIP meet and greet packages I can’t afford to be shelling out for now that I have a baby to worry about, and even they sold out about a week or two later also). By the time my purchase button was loaded, I was informed tickets were sold out. Sort of annoying. However, when I googled, less than a moment later, there were hundreds of tickets up for re-sale at double and even triple the price. Very annoying. That should be illegal. Think of how many genuine fans would miss out as a bunch of swindlers just bought hundreds of tickets in the hope that they could sell some of them at inflated prices. And the money isn’t even going to the band, or keeping the music industry going, its purely some low life trying to rip off fans. Very annoying indeed.

I learned of a resale site called Twickets, (after writing an online rant about how frustrated I was by this should-be-illegal practice of instant online ticket scalping), when someone else who felt similar told me about a site, where actual fans who can’t go due to financial or medical or work reasons sell the tickets to other fans, face value. I signed up to that and held out hope that a face value standing ticket would come up. I would check it almost every 2-3 days for a few months. There were lots of tickets for other concerts in other cities, but I had the time booked off work for the Cardiff date from the day the dates were announced. One or two Cardiff tickets came up but were snapped up in seconds by other people like me. I also looked at those double or triple price tickets every week or so, but I couldn’t go through with that. Even if I could afford it, it’s the principal.

Then with less than a week to go, somebody on social media said they got a ticket by just phoning up the venue and asking if there were any extras stowed away. I mean, I never thought of that. The ticket website said it was sold out. The band’s social media and official website said it was sold out. The venue’s own website said it was sold out. But screw it, what do I have to lose? So I phoned them, and said, ‘’I know its sold out, but just in case…’’ and the man on the phone was just ‘’Oh no, we still have one or two tickets left’’ and sold me one face value. Needless to say I felt Over. The. Goddamn. Moon.

And so I did get to go after all. This was my fourth time catching Slipknot live. The 2nd concert I ever went to was Slipknot headlining on the Iowa tour at Belfast Odyssey arena very early on in my highschool career (this gig was a few days around the recording of their Disasterpeices DVD, with a similar set list and stage show, so if you wonder what it was like, it was as good as Disasterpieces, minus the bigger touches like the snow and flying drummer).

I also saw them supporting Metallica in Dublin once, around the time of Vol. 3, with a slightly shorter set and stripped down stage show. Finally; I also caught them headlining in Dublin on the Vol. 3 tour, supported by Shadows Fall and Helmet (with Frankie Bello from Anthrax temporarily on bass). It wasn’t included on their 9.0 live album which took material off most shows from that tour however, as Shawn ‘Clown’ Crahan had to take the show off for a family emergency and they only included shows with the full band.

I never lived anywhere near where they played in the intervening years. I didn’t drive and was much too anxious to attempt to book public transport and hotels on my own back then. I didn’t really have the mindset until I was in my mid-20s. The idea of catching a train to London makes me dizzy even now, and back then it would have caused full blown panic.

There was once, when I potentially could have seen them once more, when I lived in Manchester, just before The Gray Chapter came out, but I couldn’t afford it at the time due to being a broke student, and it coinciding with exams, while I was also working crazy unpredictable hours including flipping between 14 hour shifts and 12 hour night shifts, or two sets of normal 8 hour shifts, with only a weeks notice of what I’d be doing, all the while also studying. Overall this made it hard to predict when I would be out of work. (I also couldn’t afford it, having blown all my money on a high volume of cheaper concerts at smaller venues beforehand, back when my work shifts were previously more predictable; leaving no cash or time off left for expensive arena shows).

That makes it the case that the last time I saw them was 2005.  15 years and 3 studio albums later I was chomping at the bit to see them again. Especially as their newest album, We Are Not Your Kind is so damn good. I mean, I like every Slipknot album, but WANYK is special. It has grown on me so much it is now my 3rd favourite album of theirs, behind only Iowa and the debut, and that is insanely high praise, as nothing will ever top those two due to such heavy nostalgia-value I have around them due the profound almost religious effect they had on me as a kid and all the happy memories associated with them.

Damn do I love Slipknot’s first two albums. I don’t think any other band has ever had such a big affect on me. I wouldn’t have had the friends I did in highschool without a shared love of Slipknot. I wouldn’t have been so into concerts if it wasn’t for Slipknot. I wouldn’t have fallen in love with music and had it overpower all other hobbies and interests without Slipknot. I wouldn’t love band biographies so much if it wasn’t for Slipknot. I wouldn’t have learned to play the drums if it wasn’t for Slipknot. Some people may write them off as a gimmick due to the masks. Some people may complain they aren’t true metal due to the DJs and Samples. Some people may think of them as an embarrassment due to the adolescent sweary violent lyrics. But to much more people they are a generation defining band, the next in the chain of succession that starts at Sabbath, runs through the likes of Priest and Maiden, to Metallica and Slayer, to Pantera. Above all though, they have the tunes. Just some of the best songs I ever have or likely ever will hear.  I’ve said it before, but I imagine that if I had a way to tell (as LastFM didn’t exist back then) I am almost sure that Slipknot’s debut album would be the album I have listened to most in my entire life. Iowa may be close by, but has some catching up to do as it came out after the debut got a head-start, and the younger you are and fewer albums you own, the more you tend to listen to an album over and over again.


Anyway; on to the night in question. I decided to work late, and get there well after doors open, so as to not have to que up. I knew Slipknot were more popular than most gigs I go to so there’s no chance I could get anywhere near the front, so I wasn’t even going to try. However, I forgot just how popular Slipknot are, and even arriving there at least an hour later than I ever have, I still had to que up. I have never had to que in Cardiff before. But Slipknot are just that gigantic.

I managed to get in just as opening act, satanic extreme metal legends, Behemoth, were starting their first song. I had to miss it to go to the bathroom, visit the merch stand etc, but was ready by the time of their 2nd song. Loveable frontman Nergel was dressed up like a mixture of Dani Filth and the pope, with creepy serpentine stands and big banners up. They had a respectable amount of pyro for an opening band, and basically had a show worthy of a headliner. The music from the two new albums is so accessible live. ‘Bartzebel’ in particular was banging live. It seemed like a bizarre choice of opening act at first glance, but it worked well. Better than Slayer supported by Obituary. And when you think about it, Slipknot do mix in death growls, blast beats and Deicide/Morbid Angel influences riffs every so often, so extreme metal bands supporting Slipknot isn’t as strange as it first appears.

Behemoth were very entertaining. A big show, good sound, surprisingly accessible material and a lot of charisma. When they played their little cinematic drum laiden outro, I made a mental note to buy the two newest Behemoth albums as soon as it was financially reasonable to do so.

Nergal Pope
Behemoth Live
Drumkit on fire
Drum laiden climax

Then after the usual wait between bands, it was finally time for Slipknot again. Last time I saw them three members were different. Iconic drummer Joey Jordinson was now gone, late bassist Paul Gray is no-longer with us, and additional percussionist/background vocalist Chris Fehn has recently been sacked due to legal issues, much discussed already in the press.

Paul is deceased so no one can resent his replacement Alex anyway, and although I like him in documentaries and interviews, I never had strong enough feelings about Chris’ musical contributions to think it would change the band notably when he left. However; Joey is gone. That is a big deal. Man, when Slipknot first lost Joey Jordinson, I thought the band should break up. That’s like Mastodon without Brann Dailor. Its like Pantera without Vinnie Paul. So much of why Slipknot feel like they do is in Joey’s work. There is probably no other band I am as emotionally invested in line up changes with.

What must kids who knew them in the ’70s have thought when Peter Chris or Ace Frehley left Kiss? What must kids who liked Motley Crue in the ’80s have felt when Vince Neil or Tommy Lee left the band? It’s such a unit of a band, who capture a young fan’s imagination so hard, that its hard to imagine any change. I did eventually come around though after their recent ‘Gusano DVD showed me that replacement drummer Jay Weinberg was more than equal to the task, and if that didn’t already 100% do the trick, then their new album certainly cemented it. I was actually excited to see them with the new line up.

Since I hadn’t seen them since Vol. 3, there is a lot of material I have never caught live yet. As I said, I like every Slipknot album. (Probably every Slipknot song if you don’t count demos and remixes). Unfortunately, they didn’t play anything off of ‘Gray Chapter this time, which I was a bit gutted by. I really like that album and would have loved to see something like ‘Custer,’ ‘AOV’ or ‘Sarcastrophe’ live. ‘Custer’ especially. From the first time I heard it I said to myself ”that is a song that will be in their setlists forevermore.” They also only played one song from All Hope Is Gone. I guess that’s reason enough to try see them a few more times, as I really want to catch more songs I haven’t heard live before. I’m keen to hear it all.

But given how great the new album is, I was most keen to see material from We Are Not Your Kind live. I was thinking about how much I wanted it on such a regular basis since end of the week that the album was released and it had all started to click with me. Turns out I was in luck, because if you count the 2018 stand-alone single ‘All Out Life’ which technically isn’t on the album (but which features the lyric ‘we are not your kind’ repeatedly chanted and I always mentally count as being part of that album, and have attached to the album in my itunes and on my phone and just pretend it is on the album anyway), then they played 5 new songs. Aforementioned ‘All Out Life.’ Big single ‘Unsainted,’ which opened the show.  The dark, weird, almost formless album closer ‘Solway Firth.’ The groovy ‘Birth Of The Cruel’ and the stompy new single ‘Nero Forte.’  It was great to see this much new material live. It shows you how much confidence the band must have in the new album, and given the audience reaction, this confidence was well placed.

Not counting intros and outros over the speakers, there were 17 tracks. 6 of which I had never seen live before. Pretty great value. No wonder they didn’t have room for much material off All Hope’ or ‘Gray Chapter. The rest of the set featured the big singles from Vol 3; ‘Duality,’ ‘Before I Forget’ and ‘Vermillion’ as well as many classic concert favourites from the debut like ‘(Sic),’ ‘Surfacing’ and ‘Eyeless’ and topped off with a few of the heavier numbers from Iowa, like ‘Disasterpiece’ and ‘People=Shit.’

Slipknot are pretty great at mixing up sets, and not just playing the same thing every tour, swapping in a surprise or two, and dropping a few expected tunes now and again for a deep cut. The (sort of) surprises in the set were first album bonus-track ‘Eeyore’ and Iowa deepish-cut ‘New Abortion’ although I have seen both live before and both have been on official live releases so not super surprising if you want to be pedantic, but I was satisfied. In terms of dropping an expected tune, this time they dropped ‘Spit It Out’ which is almost unfathomable, as therefore they didn’t do the ‘’Jump The Fuck Up’’ moment, (where they make the whole crowd crouch for a few minutes then jump up in unison) but I’ve had that three times and on all their live albums too, so I was glad to lose it if it meant more time for new songs.

In terms of stage show, it was the biggest and best I’d ever seen them. There were videoscreens all over the place (even on the drums). There was pyro and steam. There were fireworks. There was a Nikki Sixx style bass guitar flamethrower like on Motley Crue’s The End DVD. There were treadmills which the more expendable members like the DJ, Sid, would go and play about on when not needed musically. He did the moonwalk on a treadmill at one point. Their setlist didn’t feature many turn-table focused songs this time so I guess he’s got to do something. Clown got a flaming baseball bat out for the keg smashes on ‘Duality.’

Performance and sound wise, it was really good. That’s not always a given. As much as love this band, they aren’t what I’d call consistent. Some bands are just perfect every single time (Hatebreed spring to mind). Slipknot are not one of those bands. I mean, when you have 9 members, complex awkward songs with atypical structures, and a singer inside a mask running around, its hard to get everything sounding perfect…

If you look across all of Slipknot’s official and unofficial live releases, you’ll notice they have been really hit and miss over the years in terms of both vocals and audio mix. Even on just their Voliminal DVD, which features footage from a few different shows, the live stuff goes from amazing to quite poor. The 9.0 live album which I mentioned earlier features material from across a whole tour, and that album has quite poor live vocals and subpar sound mixes. Conversely though the Disasterpeices and (Sic)nesses DVDs have superb live vocals and mixes and are absolutely must-own. The pro shot live stuff from various festivals on the first two album cycles is really mixed also. I remember MTV2 used to have footage of the band on the Iowa cycle in Germany, where Corey’s vocals were really muffled and the kick drums overpowered all the guitars. When I first got into them, on the debut album cycle, the only live stuff available was bootlegs, and they were always pretty rough. You could get pirate CDs from shows like their first time in London or from dates on the US Ozzfest, but you could tell from the CD that Corey was running around, bouncing and going crazy so much, that the vocals would suffer. Even my own live experiences of the band were mixed. When I saw them live myself in Belfast the mix and vocals were brilliant and its still one of the best shows I’ve ever seen. When I saw them headlining on the Vol. 3 cycle, the vocals were poor (he has discussed in interviews over the years that he was drinking heavily in that period) but the mix was great. When I saw them supporting Metallica on that same album cycle, the mix was poor but the vocals were good. As I said, its not a given.

I guess there’s a lot of variables for the soundmen to get right and lots of chances to get it wrong. Depending on how much running and bouncing singer Corey Taylor does, and how his mask affects the microphones, there’s a big gap between his best and his worst shows.

However, tonight it was great. It was pretty close to a perfect show. I mean, if I had to pick pedantic holes in it then I guess the guitar-intro to ‘Surfacing’ sounded a bit weird, and the vocals on the chorus to ‘Nero Forte’ were a bit thin, but otherwise it was magnificent.

The sound mix was perfectly balanced. Even the additional percussion was actually audible and you could tell why they have three drummers. The bass was thick. The guitars were clear and didn’t go muddy. The drum kit was powerful and you could pick every element out individually. The vocals were just right. I couldn’t have asked for a better mix.

The band were energetic and enthusiastic and played like a band on the rise. Drums were absolutely battered. Riffs were practically thrown into the crowd. I guess buoyed by the success of the new album, they are revitalised and fired-up. This was definitely the 2nd-best I ever seen them live; sceond only to that very first time I saw them, back in Belfast in 2002, which boasted many more songs from my favourite album, Iowa, in the set, and featured the classic line-up when they were still mysterious and I was wide-eyed and young. (And to be fair, my memory of that could in fact be a little clouded in a rose-tinted teenage nostalgia).

I always regretted not seeing them live on the last two album cycles, but I would have been heartbroken to miss them this time. Thank goodness for the weird phone/website discrepancy! This was awesome. One of the bands that have meant the most to me in my whole life, playing brilliantly, with a great setlist and sounding great. This is going to be a show I remember for a long time.