Orange Goblin – Rough & Ready, Live & Loud : 25 Years Of British Rock & Heavy Metal Review.

A lot of bands seem to be delaying their new albums due to the whole COVID19 crisis that has been going on in 2020 at time of writing. Luckily other bands are filling the gap with B-Sides collections, new singles, and in the case of cult British Stoner Metal band Orange Goblin, fantastic live albums.

Rough And Ready Live And Loud is the second live album from ‘Goblin and comes hot on the heals of the touring for 2018’s superb The Wolf Bites Back album.

Now, I must confess, I am a relatively new Orange Goblin fan. I saw them live supporting Down in about 2012 at my first concert since I had moved to a new city and was in a weird phase of not really enjoying anything and so although I thought they were decent, I wasn’t in the mood to explore more. However, luckily I caught them live again a year or two ago supporting C.O.C and was blown clean away. Singer Ben Ward is such a charismatic dynamo of a singer, who revs the crowd up like nobody’s business, with such a fun attitude that I was instantly converted, and have been using all the Birthdays and Christmases ever since to go back through their back catalogue and get all their records.  

Have you heard the phrase ‘’it does what it says on the tin’’ ?. Well, lets just say that Rough & Ready, Live & Loud really is an appros pos title. The production and recording style of this album is fuzzy, dirty and absolutely perfect for Stoner Rock/Metal fans. The bass tone is to die for. It isn’t too smoothed out or polished, but it isn’t too tiny, tinny and kvlt to be listenable. It feels live and sweaty, like you’re really there.

The setlist focuses a lot on the band’s three newest albums. There’s bouncy catchy moments like ‘Sons of Salem’ and ‘The Filthy And The Few,’ there’s Motorhead-leaning fast tracks like ‘The Devil’s Whip’ and ‘Renegade’ and there’s some slower stuff like ‘Mystical Knives.’

That’s not to say that it’s all new material. There’s some material from most of their albums. ‘Some You Win, Some You Lose’ from Thieving From The House Of God. Some older tracks like ‘Made Of Rats’ from Coup De Grace, ‘Shine’ and the Title Track from Time Traveling Blues and ‘Sauruman’s Wish’ from the debut album Frequencies From Planet Ten. Basically; the only albums not represented are The Big Black and Healing Through Fire.

The album artwork is really clever too, featuring images from many of the band’s previous records combined together in one image that looks like it was supposed to be that way anyway. Its fitting with the album’s subtitle, ‘25 Years Of British Rock & Heavy Metal.’

Since it is in essence a 25 year retrospective that covers most of their records in some form or other, this album would be a fine introduction for any new fans, and if you are an existing fan, all the new material gives you something different from their last live record.  

I highly recommend this album. The performances on here are absolutely electric, the drums slam, the guitars crunch, the slower moments are nice and trippy, the guitar leads are blazing and when the tempo speeds up the aforementioned frontman bubbles with excitement. It’s a very uplifting record that oozes with fun. You can almost feel the sticky venue floor beneath your feet. They released a music video for this album’s version of ‘The Devil’s Whip’ which I’d recommend you try out if you want to see if this live album, or even if this band, are your cup of tea.

[Side note: If you haven’t heard the band before; but like bands like Kyuss, Fu Manchu, Monster Magnet, Nebula, Sheavy or Sleep, or indeed bands like the aforementioned Down and C.O.C, but also love Motorhead or like it when Stoner music goes fast (like High On Fire when they step on the gas pedal) then I can pretty much guarantee you’ll enjoy Orange Goblin].

King Diamond – Songs For The Dead Live CD/DVD Review

Songs For The Dead Live is the new live album/DVD by classic Danish heavy metal band, King Diamond. It features live footage from two different shows in 2016, one indoor show and one festival show from Philadelphia and Graspop Metal Meeting respectively.

The lengthy and value-for-money setlist features the classic Abigail album from 1987 played in its entirety, plus a selection of songs from the debut, Them, Conspiracy and The Eye as well as a couple of Mercyful Fate covers (King Diamond himself’s other band). Basically if you are interested in early King Diamond material, this is the record for you.

The show is quite theatrical, with actors, an elaborate stage setup with steps and stained glass and upside-down crosses and pentagrams. There are even a fake babies and grandma to match the stories in the lyrics.

Most importantly of all, for a concert DVD, the performance of the concert from the band is excellent, and the audio-visual quality of the DVD is brilliant. King Diamond has always been a guitar fan’s paradise and watching Andy La Roque blast through the superb solos is wonderful. King himself does a great job of replicating his bizarre and unique vocals live and the rest of the band hammer it home perfectly. It feels ‘live’ and not too clinical, but at the same time very faithfully replicate the album tracks.  The seamless editing, sound and camera work are well balanced and everything just looks and sounds right.

If like me, you are a casual fan of the band, with a few of the early records but don’t know every twist and turn of his lengthy discography, this would be a fine starting point (just be aware it might take a while to get used to the vocal style).

Pissing Razors – Live In The Devil’s Triangle Review

Pissing Razors – Live In The Devil’s Triangle

You can tell from the very first seconds of Pissing Razors’ first and only official Live Album, Live In The Devil’s Triangle, that the band mean business. It kicks off instantly into a noisy powerful fury, and from that point onwards scarcely lets up in intensity at all for its sixteen-tack, hour-long duration.

With the enthusiastic crowd riled up, tracks like ‘Burning Bridges,’ ‘Dodging Bullets,’ ‘Mass Corruption’ and ‘Cursed’ are blasted through with a fiery and sincere performance that is at once razor sharp, but still utterly teeming with energy and passion.

Do you know those rare brilliant live albums where the songs are just even better than in the studio? Live albums that make you feel like you are at the actual gig and aren’t overproduced but still sound fantastic? Albums like Pantera’s 101 Proof? This is such a live album. If you were only to get one Pissing Razors album, you could happily chose this and get a stellar, no-filler collection of their brightest moments, all put together in a great performance.

The album features the then-new singer Andrew Acosta on vocals on his first recorded appearance with the band, as well as Cesar Sota on guitar filling out the line-up alongside long time member Rick Valles on bass and absolute virtuoso drummer Eddy Garcia. The 2002 record features a career spanning setlist that, more than any other release, really shows what this underrated Texan Groove Metal band were capable of. The band have a superb formula, and here that formula is made manifest, and elevated beyond its station to become greater than the sum of its parts for once, and it is really worth your time checking it out.

Do you like bands like Pantera, Machine Head, Fear Factory, Prong and Soulfly? You may love Pissing Razors too if you give this album a try.