Amateur Batfan Vol. 17 – The Killing Joke

Hello and welcome to the seventeenth installment of Amateur Batfan, a series of blogposts here at Kincrimsonblog where I try something new. Instead of writing exclusively about music like I usually would, I’m dipping my toes into the field of writing about comics. I’m fairly new to comics. You can read about my history with the comics medium in the first entry of the series.

Long story short, I liked comics-related stuff but found the whole idea of being a comics fan too embarrassing, and some of the comics I did try were lacking-in-depth, so I didn’t like comics themselves until my friend Paul opened my mind, multiple times over the years until I finally allowed myself to enjoy them. I had a sort of snobbery to overcome. Its been overcome now though, and I’ve spent most of the last year-and-a-half buying and reading Batman comics to the point where I personally own over seventy of them now, which I will now blog about for your reading pleasure and commenting-inspiration (seriously, I want to know what you think about these comics).

On with the show.

This entry is going to focus on Alan Moore’s sole contribution to the world of Batman; his one-shot graphic novel, The Killing Joke. There’s a lot of interesting opinions about this one. Some people consider it one of the top-four Batman stories of all time alongside The Dark Knight Returns, Year One and Arkham Asylum A Serious House On Serious Earth. Some consider it to be overrated trash. Some people think it is bad for Alan Moore and not up to his usual standard. Some people think it’s the definitive Joker story, others think that its almost blasphemy to give the Joker an origin and also that Batman acts out of character here. Some people hate the way Barbara Gordon was treated and hate it for being too gratuitous.

Grant Morrison thinks it ends with either Batman killing the Joker or vice versa (my memory is foggy after doing too many twelve-hour night-shifts, and not having been to sleep since the last one).

The copy I own is the deluxe edition where its been recolored and printed on nice glossy paper. Some people hate that because it messes with a classic. Some people love it and think it helps it look modern.

Batman – The Killing Joke:
– Writers: Alan Moore
– Art: Brian Bollard
– Colours: (in this case, Brian Bollard)
– Continuity: Post-Crisis, Pre-Flashpoint
– Timeline Position: Mid career, pre-Death In The Family, pre-Kinghtfall.
– Batman is: Bruce Wayne
– Villains: Joker, Some Freaks, Red Hood gang, Danny Weaver
– Cameos: Two Face, Penguin
– Allies: Alfred Pennyworth, James Gordon (Police), Barbara Gordon,
– Bystanders: Jeannie Kerr

– Art: I think everything about this book looks excellent. Its definitely good for its time and held up well. In fact its good even for now.

– Tone: I love the tone here. Its very much like an episode of The Sopranos or any other guns-and-cops HBO show you could think of.

– My Thoughts: Let me address the above points one by one… I do think it deserves to be in that list. I personally don’t think its better than some stories like Long Halloween or Arkham Asylum, nor is it anywhere near as brilliant as Year One, but I think it feels like its supposed to be ‘up there’ and heck, I personally enjoy it more than The Dark Knight Returns.

I haven’t read any other Moore comics so I can’t comment on whether its poor for him, but let me say that if its poor for him, good for him must be astonishing.

I don’t think it ends with a death, not at all. Not subtly, not hinted at, not metaphorical. I think it just ends. It ends with Joker being about to be arrested once again and I reckon it’s a statement on the banality of the repetition of the endless arrest/crime Joker cycle rather than any secret murder.

I love how this book looks. I read the original coloured version too a about a year ago so its not that I haven’t seen both. I just like it. I like pretty glossy paper. I like big easy-to-read print and I like this colour palate a lot. It’s a bit more Arkham videogame series and a bit less Watchmen comic. I love The Watchmen’s story and art (oh wait, that was Moore wasn’t it? Damn… Yeah, this aint as good as that!) but not necessarily the colour scheme.

I also don’t mind the Barbara thing, and all the slightly sinister, uncomfortable rapey overtones that some people complain about. I think it works well and gives the story a lot of serious dramatic weight. Makes it feel a bit Mystic River.

It was good for a book to point out ‘hey, Batman is a bit of an insane idea’ and even though it started a thing that people can get sick of, it works well here in this book.

Basically, I think this is a nice, tight, enjoyable book, with a sensible length and good pacing. I enjoy it more than the bloated Knightfall, but wouldn’t call it a favourite.

Amateur Batfan: Volume 9 – Heart Of Hush

Hello and welcome to the ninth installment of Amateur Batfan, a series of blogposts here at Kincrimsonblog where I try something new. Instead of writing exclusively about music like I usually would, I’m dipping my toes into the field of writing about comics. I’m fairly new to comics. You can read about my history with the comics medium in the first entry of the series.

Long story short, I liked comics-related stuff but found the whole idea of being a comics fan too embarrassing, and some of the comics I did try were lacking-in-depth, so I didn’t like comics themselves until my friend Paul opened my mind, multiple times over the years until I finally allowed myself to enjoy them. I had a sort of snobbery to overcome. Its been overcome now though, and I’ve spent most of the last year buying and reading Batman comics, which I will now blog about for your reading pleasure and commenting-inspiration (seriously, I want to know what you think about these comics).

[First off, why not listen to this while reading this article:

, that’s probably the way to get the most out of the experience.]

At the minute, I’m happily making my way through reading No Man’s Land, and just like last time, since I’m not finished it yet, that won’t be the subject of this week’s entry. I’ve also received Batman: Demon in the mail. It may surprise you to know that its not about Ras Al Ghul like Son Of The Demon and Birth Of The Demon and all those other Demon books… its about that Etrigan The Demon guy, who I only know from one of Kevin Smith’s two Batman books. He rhymes a lot. Is that a permanent character point or just a Smith thing? I’ll find out soon enough…

Anyway; Last time on Amateur Batfan, I covered Hush Returns, which was a bad story featuring the villain Hush. Today, I read an interesting article about how the original Hush book was quite poor (Read it here). The thing is I really like Hush (the character). I like him to the point where I frequently think the sentence “if I was ever in charge of a Batman Comic/Movie/Videogame then I’d make Hush one of the main villains” (Along with Onemotapia and The Architect in case you were wondering).

When I first heard of Hush, I went into reading the original book with a negative eye, expecting to be disappointed, as my friend and Batman-advisor Paul had said that it wasn’t good (and after I read it and asked why, he said “because it treats the reader with absolutely no intelligence”), but I remember at the time really really enjoying Hush (damn its getting confusing having the book title and the villain both be called Hush, isn’t it?) partly due to Jim Lee’s beautiful artwork… (that’s how I want all comics to look, even if he could do with being less sexist. Also, everyone online ever also informs me that all his male characters have the same face and body). It was also partly due to the entertainment value. Its not a strong mystery at all, and the “insert thing into the past” line of story telling is one of my pet peeves (…and its actually doubly unnecessary here, because if Loeb wasn’t so attached to the name Tommy Elliot, he could have used the Bruce’s childhood friend character from Batman Gothic and then he’d just be expanding rather than shoe-horning) but I think the whole ride was pretty fun in a low level blockbuster sort of a way.

I also remember disliking the [Spoiler]Clayface/Jason Todd plot point a lot though. So… I guess you could say that I disliked THE POINT OF THE BOOK. But I enjoyed the ride. I really ought to re-read it and see where I stand; because of Paul (my friend, not Paul Dini), and a coincidental series of other people disliking it, I kind of assumed most people hated it. I was reading a lot of reviews about it today though, and it seems almost universally loved. I guess it’s the Metallica thing. Everyone loves Metallica, but you see a lot of criticism too. Is Lars a bad drummer? I can’t even tell anymore. Linkin Park are the same… if you’re actually in a University Halls Of Residence, you are never more than 10 feet away from at least 15 people who love Linkin Park, but go on Blabbermouth and you’d think they were the most reviled band on the planet.

Given that those two other Hush books aren’t very strong (or maybe Hush is… I’m still not sure), I’m not really certain why I enjoy Hush so much as a villain… but I do. I was even really pleased when he had a brief cameo in Gates Of Gotham, it really put a smile on my face! …Maybe its just because he looks cool. Maybe its just because I hadn’t heard of him before and I then when I saw him at the right time, I bonded to him, like how a zoo animal thinks the puppet that the Zoo Keeper uses to feed it is its mother. Maybe its because he shows up in Arkham City, and that game was great. Who knows? Anyway, this week, I’ve decided to cover a Hush story that isn’t poor. In fact, its one of my favourite Batman books so far. In fact, this story is almost like an apology or justification of the original Hush’s flaws.

As an example of those flaws, I’ve heard the motivation of Hush in the original Hush (confusing aint it?) described as “ludicrously juvenile.” Hush’s motivation is more understandable once he is more deeply characterized here though (heck, even his costume is). As an example of how Dini has retroactively rectified those flaws: While still having to work with what he’s been given (the car crash, wanting his parents inheritance, Wayne Sr. saving his mum plot), Dini manages to add depth and therefor quality by making the reader understand that Hush as a character is a ludicrously juvenile person, and that its not just bad writing. The guy is a total born prick, and he is also tortured emotionally by a belittling and draining upbringing. His parent’s inability to let him grow explains, in part, his ludicrous childishness, which only compounds his born wanker-ness. Its quite a clever workaround.

You know what else? I really hate shoe-horning in a previously unknown childhood best friend into any story (just like I hate a long-lost brother, or a secret lovechild), but when this is the third appearance, and its already established… its kind of dulled, or lessened. Its not a shoehorn anymore, it just “is.” Hush, by this stage, just is Bruce’s childhood best friend and we all know it, and its no-longer an insult on our sensibilities so we can now all just get on with it. Consequently, that particular turd isn’t gathering as many flies in this book. It left me softened up and more ready to just enjoy the story.

Speaking of softened up… as a sort of apology to what I’d said last week… I also had another thought when reading through several reviews and Wikipedia articles about all three of the Hush stories I’m talking about which softened me up a little to Hush Returns, which I had criticized for mis-characterizing Hush as a brawler when the original establishes him as a slow-strategist type (a callback to Bane’s wearing Batman down with villain after villain?). This softening-thought was that in Hush (the book) itself, it wasn’t Hush (the villain) who came up with the slow long-game plan, it was The Riddler. I’d forgotten about that by the time I’d read Hush Returns. So Hush wading in himself in Hush Returns isn’t so out of character after all. I can admit when I’m wrong.

Also, because I can’t completely divorce myself from writing about music, I just thought I’d inform you that at the time of writing, I’m currently listening to The Glorious Burden by Iced Earth, featuring Tim Ripper Owens, specifically the epic three-part, 30-minute long “Gettysburg.” If you haven’t heard it but like Heavy Metal in the vein of Judas Priest and Iron Maiden, its an absolute gem. That’s my Heavy Metal recommendation for the day. You can all sleep easily now.

Batman

Batman Heart Of Hush:

– Writers: Paul Dini
– Art: Dustin Nguyen
– Colours: Derek Fridolps

– Continuity: Post-Crisis, Pre-Flashpoint

– Timeline Position: Very Late Career, Ties in with Batman R.I.P

– Batman is: Bruce Wayne

– Villains: Hush, Dr Aesop, Scarecrow, The Walrus, The Carpenter, The Joker, Mr. Freeze

– Allies: Alfred Pennyworth, Tim Drake as Robin, Dick Grayson as Nightwing, Barbara Gordon as Oracle, James Gordon (Police) Bullock (Police) Montoya (Police), Catwoman, Zatana,

-Bystanders: Detective Sam Emerson Bradley, Colin, Peyton Riley

– Mentioned: The Ventriloquist

– Cameos: Harley Quinn, Joker, Penguin, Riddler, Killer Croc, Thomas & Martha Wayne, Poison Ivy, Tweedledum & Tweedle Dee, Mid-Nite, Mr. Terrific

– Story: [Spoilers Ahoy:] The story takes place between the events of the books The Black Glove and Batman R.I.P, as the Black Glove Organization’s threat on Batman’s life drives Hush’s egotism into action. Hush is an asshole and he has to be the one to kill Batman. He sets up headquarters in the abandoned hospital that he mentioned in passing in Hush Returns, where now he has kidnapped and drugged-up a number people to use as almost zombie-like helpers. It might be a slight callback to The Cult… seeing as how Hush books love calling back to things. His plan involves attacking the people Batman cares about, including Alfred and Catwoman. The original Hush book saw Batman and Catwoman developing a romance, so after distracting Batman with decoy plans including an innocent little boy being given venom (…a callback to Batman Venom?), he goes as far as to actually surgically remove Catwoman’s heart. It is cryogenically frozen with help from Mr. Freeze to lure Batman into a trap.

There are multiple flashbacks to Hush’s childhood throughout the book, explaining the toxic relationship between him and his domineering mother (who’s bandaged face after the car accident from the previous Hush story adds an extra layer to the whole plastic surgeon and bandage themes from the previous book, rather than letting them be throw-away parts of a Two-Face subplot). Flashbacks also indicate that Hush’s councilor following the accident was Dr. Crane before he fully became Scarecrow. Hush teams up with Scarecrow as an adult, so that Hush has some help in his anti-Batman plan.

Batman infiltrates Hush’s Hospital but is drugged and wakes up strapped to an operating table. Hush uses his plastic surgery skills to make his own face an exact match for Bruce Wayne’s in a move that would have lasting impact outside this book. (Damien Wayne even spends time with Hush to feel like he is spending time with his dad later on in future Batman comics.) Hush, disguised as Bruce Wayne, infiltrates the batcave hoping to kill Alfred, Dick and Tim, and then mascaraed as Bruce to tell the Justice League that Batman is retiring and quit Wayne Enterprises. Batman escapes the hospital as you’d expect and tracks down Hush; there’s a fight between Hush and Batman in the Batcave, assisted by Nightwing and Drake-Robin, and when trying to escape, Hush’s bandages get caught in the rotar-blades of the gyro-copter that he is trying to commandeer, and he crashes into the water. His body isn’t located, meaning he escaped but isn’t an immediate threat.

With Hush out of action temporarily; Batman saves Catwoman and the two start a brief romance. In revenge for what happened to her, Catwoman dedicates her time, resources and favours/debts all to ruining Hush, by siphoning his money away (although graciously using it to compensate the zombified hospital workers) and leaving him a big “fuck you” sort of message. The book ends with an injured Hush receiving the message and hobbling off into the night, broken.

– Tone: I really enjoy this book. It tries to balance the supposedly roller-coaster ride feel of the original with having an actual plot. It brings in extra characters but doesn’t drown you in them. The original suffered from being a mystery that wasn’t mysterious enough… here, with no intention of being a mystery, it can’t fail on that regard and so is free just to be pure entertainment, at which it most certainly succeeds. The tone is a mixture of dark at times and yet there’s that comic-book feel to it too. Its not all grim horror, but its not all aliens and magic and long-lost twins either. Its good. Its a good comic book. Its what comic books fans talk about when they talk about comic books even if non-fans think of the B.S. (Like how non-Metal fans think its all noise and screaming and satanism… and no quality musicianship or intelligent songwriting).

– Art: In my opinion, Nguyen’s art isn’t as good as Jim Lee’s. Its good though. Very good. It really reminds me of Gates Of Gotham actually, its kind of stylized in a way that feels like the comics-equivalent of cell-shaded videogame graphics. It reminds me of Zelda Windwaker for some reason. Its not just as stylized as Broken City though, which I include as another random reference point.

Just because Jim Lee’s is prettier though, this is by no means an ugly book… its very good looking indeed (and in fact, better than Lee on the non-sexist drawings and varied character models side of things). I like how this book looks a heck of a lot.

– My Thoughts: If this book is a flop, and I was to imagine what everyone was to criticize this book for I’d guess just comparisons to other stories, or the fact that Hush is in it at all and they didn’t like the original. I mean, sure it borrows ideas from Face Off, and even Batman The Cult, but it does them well. I also have already explained how this improves immensely on the Hush story, so I’d say this is a good book to read if you disliked Hush. Its like “Ok… but do it properly this time.”

I guess the whole Aristotle thing, and all the Heart metaphors may come across as a bit cheesy to some, but I feel the right balance has been struck. I think it works well. Its not like in the Scarface videogame where they take the one off line from the film about Ice-Cream and then decide that in the game, Tony should mention Ice-Cream every five-minutes.

I don’t think it was a flop though.

Also, compared to Hush Returns… it actually ends. It wasn’t abandoned halfway through. It doesn’t massively misread the characters (Joker isn’t pining for a lost wife here).

There’s something that’s difficult to articulate… and that’s the fact that, its just good. It just is! It’s a very good book. I advise you to read it and find out why. Its well written. It flows well. Its entertaining. There’s nothing that makes you think “well, that was really annoying.” Overall; I really enjoy this book and I’d like to spread the word. So consider the word spread. Heart Of Hush is a good Batman book and you should totally check it out. (That’s my Batman recommendation for the day… what else needs recommending?)

Amateur Batfan: Vol. 7 – Batman Year Two Fear The Reaper

Hello and welcome to the seventh installment of Amateur Batfan, a series of blogposts here at Kincrimsonblog where I try something new. Instead of writing exclusively about music like I usually would, I’m dipping my toes into the field of writing about comics. I’m fairly new to comics. You can read about my history with the comics medium in the first entry of the series.

Long story short, I liked comics-related stuff but found the whole idea of being a comics fan too embarrassing, and some of the comics I did try were lacking-in-depth, so I didn’t like comics themselves until my friend Paul opened my mind, multiple times over the years until I finally allowed myself to enjoy them.

Today I’m in a good mood, listening to Killswitch Engage’s stupidly good (and secretly good – its so much better than you remember, even when you remember that its awesome) new album Disarm The Descent, and I’ve finished reading the lengthy Knightfall storyline at last. When I was reading that, several things reminded me of this entry’s book and put me in mind to write about it for this blog series, such as the presence of the character Dr. Leslie Thompkins.

When I was reading Knightfall, apart from the excellent prequel and follow-up stories packaged in with my edition, I felt like it was really old, and from an era before comics were marketed towards adults as much. I thought back to things like Batman Gothic and Batman Venom and Year One, and I thought to myself, Knightfall must be before all of those stories. Even the artwork for them most part wasn’t a patch on them.

Much to my surprise, Knightfall was actually newer than all of them, and newer than this book, which it often reminded me of, Year Two Follow The Reaper (A two part collection from 1987 and 1991 respectively, but that works nicely as a single book).

Its about a villain called The Reaper who looks interesting and, like Knightfall’s Azbats is a vigilante just like Bruce Wayne’s Batman but without the mercy. (If you haven’t read Knightfall, its about Bruce Wayne getting his back broken by Bane and then letting Azreal become Batman, but Azreal-Batman [“Azbats” for the purpose of convenience and distinguishing him from the real Batman] proves to be a crazy, violent and dangerous Batman). The Reaper carries around big scythe-blades and likes to be much more violent and permanent in his dealing with criminals than Batman does, slicing people up etc.

Personally; I liked this guy better than Azbats (well, in the first story; its two different people in the two different stories). I don’t know why I feel so compelled to compare the two stories though, maybe because they were both printed on similar type of paper, instead of the nice thick glossy paper that all my other Batman books are. Or maybe its just because of Dr. Leslie Thompkins, who knows?

Anyway; much like the character, I like the book too. It might have no big revelations or character deaths/injuries that echo for years to come, but I found it a rather good read; better certainly than the amazon reviews would suggest. I mean; it might be a bit heretical to say, but I thought this was a more solid and well written story than The Dark Knight Returns… I just didn’t fall in love with that book the way popular opinion suggests I should have.

I think if I ever wrote a Batman story I’d like to include the Reaper or at least reference him tastefully.

Batman

Batman Year Two Fear The Reaper:

– Writers: Mike W Barr
– Art: Todd McFarlane, Alfredo Alcala,
– Colours: Steve Oliff, Gloria Vasquez, Olyoptics

– Writers Full Circle: Mike W. Barr
– Art Full Circle: Alan Davis, Mark Farmer
– Colours Full Circle: Tom Ziuko

– Continuity: Post-Crisis, Pre-Flashpoint
– Continuity Full Circle: Post-Crisis, Pre-Flashpoint

– Timeline Position: Year One
– Timeline Full Circle: Early, but Post-Robin

– Batman is: Bruce Wayne
– Batman is Full Circle: Bruce Wayne

– Villains: The Reaper (Judson Caspain), Joe Chill, Mr. Morritz,
– Villains Full Circle: The Reaper (Joseph Chill Jr.), Marcia Duncan,

– Allies: Alfred Pennyworth, Dick Grayson as Robin, Dr. Leslie Thomkins, James Gordon (Police)
– Allies Full Circle: Dick Grayson as Robin, Alfred Pennyworth, Dr. Leslie Thomkins, James Gordon (Police)

-Bystanders: Rachel Caspian, Greta (Caspain’s Butler), Blinky Sutton, Moran Jones, Jonathan Heymer, Martin (Heymer’s Bodguard), William Golonka, Bukowski (Police), McGinley (Police)

– Bystanders Full Circle: Joan Lincoln (Reporter), Joey Chill III., Rachel Caspian, McSurely, Moose, Morgan Jones, Miranda (Hooker), Rhonda (Hooker),

Cameos: N/A
Cameos Full Circle: The Joker, The Penguin, Two Face

– Story: [Spoilers Ahoy:]

In the first story, James Gordon is promoted to Commissioner. The story begins with him on a television talk show denouncing Batman but defending him against comparisons to a more violent vigilante from Gotham’ past called The Reaper.

Meanwhile, Bruce Wayne is involved in the construction of a new Wayne Foundation building, and dating a woman called Rachel Caspain, who’s mother was murdered before the story begins.

Rachel’s father, Judson Caspain is then revealed to be The Reaper, and the story follows some of his violent reprisals on criminals, motivated by the loss of his wife to crime.

Gordon, who has warmed to Batman since the events in Year One, signals Batman to meet him and tasks him with stopping The Reaper. Batman locates him trying to kill prostitutes (who are still criminals in his eyes) and they fight, Batman is outmatched and returns home injured. Dr. Leslie Thompkins patches him up, but he awakes he reaches for a gun, suggesting it might be the only way to fight crime successfully.

Later The Reaper kills a criminal in the middle of a Police Swat Team stand-off situation ramping up the stakes for Gordon. Batman meanwhile is learning to be a better marksman at a shooting range, much to Alfred and Dr. Leslie’s distaste.

During the next battle between the Reaper and Batman (now carrying a gun), Gordon mistakes Batman to be just as bad as all the other criminals and looses faith in him. Batman then makes a deal to team up with gangsters in order to catch The Reaper, as it would be mutually beneficial to them, and the gangsters make Joe Chill (the man who murdered Batman’s parents) Batman’s partner for the duration of their plan. There are plenty of flashbacks and Batman finds this whole thing incredibly distasteful but goes along with it initially. Chill and Batman confront The Reaper but Batman finds it difficult to use a gun.

Later Batman has to foil some Police plans to preserve his own agenda and this further strains the relationship between him and Gordon. Furthermore his Reaper hunting limits the time he can spend with Rachel, straining that relationship too.

Bruce then lures Joe Chill to Crime Ally to murder him where Chill murdered Bruce’s parents, but before he is able to pull the trigger, The Reaper shows up and kills Chill. The two fight it out, stumbling into a construction sit and up a building, Reaper is exposed as Judson Caspain while about to fall to his death, Bruce attempts to save him, but Caspain chooses to fall instead. Bruce then buries the gun in the foundations of the still-under-construction Wayne Foundation building forsaking guns forever.

The story ends with a distraught Rachel becoming a nun.

In the second story The Reaper returns, only it turns out to be Joe Chills son, out for revenge against Batman, and teamed up with the equally dangerous Marcia Duncan.

Rachel learning of the Reaper’s return is hounded by press, and moves in with Leslie to lay low. Reaper steals the gun buried in the Wayne Foundation building and plans to kill Batman with it. Leslie is beaten up and Rachel is kidnapped to lure Batman.

Batman confronts and defeats Reaper only to be shot in the back by Marcia, and wake up in a death trap bombarded with reminders of his parents murder, designed to make him kill himself. Marcia and Reaper fall out when it is revealed she doesn’t care about revenge but making money from a bounty on Batman.

Robin comes to save Batman, ineffectively, but the threat to Robin’s safety motivates Batman enough to man up, escape the trap and stop Chill Jr.

Chill Jr.’s own son Chill III has been following them throughout the whole story and observed all of this. Finally he falls from his hiding spot and lands by the defeated Reaper. Batman uses Chill III as emotional leverage to convince Chill Jr. to stop being the Reaper, disposes of the gun once more (along with the Reaper’s mask) and Rachel goes back to her life as a nun.

– Tone: I have no problems to report with the tone. It isn’t too silly, it isn’t too dark. Its kind of somewhere in the region of the other two Wagner Batman books I discussed. This is what I’d like to call the standard Batman tone. It has a similar tone to the aforementioned Batman Venom and if you discount the supernatural elements, kind of similar to Batman Gothic. As I mentioned above; I’ve recently finished Knightfall which included The Revenge Of Bane and Batman Prodigal packaged in with it; Both those bonus stories share a kind of similar tone to this as well. Its not 100% gritty realism, but its not aimed exclusively at children either. The only problem I have is that they try to establish Robin as being fun, but sometimes its clumsy, as with the line ‘Surfs Up Dude.’

– Art: The art is rather good. Its better looking than the aforementioned Gothic and sort of similar to Venom, Prodigal and The Revenge Of Bane. It’s a lot better than most of Knightfall, better than Gotham By Gaslight but not as good as the modern stuff by Jim Lee or Greg Capullo. Not that you would expect it to be. For its time I think it looks pretty good. I think if you printed it up on glossy paper it would look pretty solid.

Overall: I got given this title by Paul as a much appreciated Christmas present; we had discussed it before when I mentioned I might buy it due to its at the time low price and low and behold now I have a copy! He didn’t rate it all that highly, but I am fairly impressed.

I guess at the time it was released, it might have felt like a bit of a disappointing sequel to Year One, but for me, now, with my tastes and particular set of Batman readings thus far, I found it to be wholly worthwhile.

For me; Fear The Reaper is a pretty damn enjoyable book, with a nice linear and easy-to-follow (but still entertaining) story, adding a bit of depth to the characters. It looks good, it’s a decent length and it has a villain that hasn’t been used to death already.

You know what, too? The Reaper just looks and acts cool. I know that’s a very adolescent way to look at things but it can’t be helped. I really like Spawn for the same reason… because he’s just cool. Maybe its all the Metal music I listen to, but a mixture of Black, Red, Skulls and Blades/Chains is usually pretty cool looking to me. Fun fact – Todd McFarlane, creator of Spawn, was an artist on this book (in case you skipped the credits above).

Reading it through; it felt like two good episodes of an hour-long HBO TV Show. The Reaper being Bruce’s love interests dad is a cheesy idea on paper, but it actually worked well in context, the team-up with Joe Chill seems like a bad idea on paper, but when its actually going, the mixed feelings it creates are actually entertaining.

The only two major flaws with it I can find are that The Reaper uses his catch-phrase way, way, way too often (seriously, a drinking game based on it might make you quite ill quite quickly) and that the whole Batman might use a gun thing is a bit of a cheap story to tell.

Batman doesn’t use guns. Everyone knows that. Its one of the most Batman things about Batman. If Batman uses a gun, you automatically go “that’s not Batman” in your head. I know this is an early-days look into the character and trying to establish the fact that Batman doesn’t use guns for a new generation (at the time) but at the same time, it seems like a bit of cheap drama to even suggest he might use one. He won’t. Everyone knows he won’t. Unless this is the very first bit of Batman you ever read, the suggestion that he might just will never ring true.

With those exceptions (and y’know, “Surfs Up Dude”) being expected, I think this is a pretty solid read, and I would recommend it.

[Ps. In case you were wondering; here’s my current Batman collection at the time of writing. It doesn’t include what I’ve been lent, like Killing Joke or Man Who Laughs or Year One or Dark Knight Returns, but its everything I own myself at present (with the exception of No Man’s Land, which I didn’t photograph due to having not received volume-3 in the mail yet]

My Batman

My Batman 2

My Batman 3

My Batman 4

Amateur Batfan: Vol. 6 – Batman Faces

Hello and welcome to the sixth installment of Amateur Batfan, a series of blogposts here at Kincrimsonblog where I try something new. Instead of writing exclusively about music like I usually would, I’m dipping my toes into the field of writing about comics. I’m fairly new to comics. You can read about my history with the comics medium in the first entry of the series.

Long story short, I liked comics-related stuff but found the whole idea of being a comics fan too embarrassing, and some of the comics I did try were lacking-in-depth, so I didn’t like comics themselves until my friend Paul opened my mind, multiple times over the years until I finally allowed myself to enjoy them.

When I first decided to get into Batman, it was with a view to read Year One, The Dark Knight Returns, The Killing Joke, Knightfall and No Man’s Land. I had read about those on Wikipedia and they were my real “to do list.” Well, those and The Court Of The Owls thanks to Paul’s recommendation.

I borrowed and read Year One, The Dark Knight Returns & The Killing Joke fairly quickly, and then made my first purchase in the form of The Court Of The Owls. Yeah, that made me more comfortable reading comics for sure. Afterwards I moved in a few different directions. I discovered a few different things, like Kevin Smith’s Batman run, the Judge Dredd Crossovers, The Grant Morrison run, and books I heard about on the Fatman On Batman podcast like Madlove and The Black Mirror.

So its taken almost a year, but I’ve finally got around to buying No Man’s Land and Knightfall. At the minute I’m deeply entrenched in Knightfall, at about the halfway point of the second of three big, thick books. Its too early to really talk about that though, but right before I started Knightfall I also found another Batman book I really wanted to read. That’s what I’m going to be discussing today.

Back when I started branching off in different directions from my original plan, I found Matt Wagner’s Batman And The Monster Men & Batman And The Mad Monk, which I absolutely loved. I loved the art style, the depth of the story and the mixture of realism and fantasy. All in all they really nailed exactly what I want from a Batman book.

Turns out Matt Wagner had made more Batman books, including crossovers with other comics (Trinity – with Superman and Wonder Woman, and then another one with Grendel). He seems like a notable guy in the field. I also found and have now bought and read another Batman-only trade paperback he made, called Batman Faces, which is about Two Face.

Up until buying Knightfall I haven’t really read any stories with Two Face in them as a major character (except when I got a lend of stories, such as in The Dark Knight Returns, and in the excellent The Long Halloween). I think on the first page of ‘Owls he’s there in a Cameo in the scene where Batman just brawls with almost all his main villains, there was a Two Face in there, but its not part of the story or anything, just a quick cameo.

I feel like I’ve read more stories with Calendar Man, Mad Hatter and Maxie Zeuss than I have with Two Face in them.

In my current collection, there is a surprisingly big representation of The Ventriloquist for some reason. I own more stories with him in it than I’d ever plan or expect to. I remember the first time I played Arkham Asylum, I scanned the Scarface doll and learned of the existence of The Ventriloquist and thought to myself “that’s a bit too silly for me” – now I’m inundated with Ventriloquist stories! There’s also a decent amount of The Joker, Hush, Catwoman and Poison Ivy in the books within my current collection; but for the most part, excluding The Joker, my collection seems to be mostly featuring books about one-off, less famous villains like The Court Of Owls, The Architect, Onemotapia, James Gordon Jr., The Reaper etc. whereas villains that I always thought of as Batman’s “main villains” like Penguin, Mr. Freeze, The Riddler, Scarecrow and Two Face are surprisingly underrepresented.

So, Matt Wagner plus Two Face, that seems like a recipe for success right?

Batman

Batman Faces:

– Writers: Matt Wagner
– Art: Matt Wagner
– Colours: Steve Oliff

– Continuity: Post-Crisis, Pre-Flashpoint
– Timeline Position: Ambiguous (Post Year One, possibly Pre-Robin)
– Batman is: Bruce Wayne

– Villains: Two Face, Manon, Romulus & Remus (Two Face’s Goons), Snake Eyes (Two Face’s Goon), Nelson Wren

– Allies: Alfred Pennyworth, James Gordon (Police)

– Bystanders: Paul Durberville, Donald Tremaine, Everette Baker, Charles Anerson, Violette Fournier, Anton Ecole, Joseph Auger, Frances Devere, Antonio Patrillo, Alain Rachins, Renee Machon, Rudolph Petruchka, Herve Pierre, Dora Lang, Booshka Granger, Etienne Frazier, Charles Berger, Paulette Bernhard, Mario Lopez

– Story: [Spoilers Ahoy:] Bruce Wayne wants to buy an Island property from Mr Paul Durberville. Two Face escapes Arkham at exactly 2:22, and goes on a series of duality based crimes such as stealing Zebras and a giant Ying/Yang sculpture, and organizes the murder of a number of plastic surgeons.

Two Face also kidnaps/recruits a circus freakshow to become his Nation Of Freaks, and reveals he has been killing plastic surgeons so that freaks cannot be “fixed,” and wants the Island as a physical location for his freak nation.

A cowardly, weasely-type character called Norman Wren in convinced with the promise of sex by Manon, an attractive fem-fatalle type, to spoil Wayne’s business deal. When Manon disappears, Wren tracks her down and confronts her, but is kidnapped in the process. It turns out Durbeville was Kidnapped too and is being blackmailed because he too is a “freak” due to a deformity of having extra hands on his stomach (he lives in snooty social circles and wouldn’t want anyone to think of him as a freak), and so Wren’s help is nolonger needed for Two Face to get his Island. Manon is revealed to be a bearded lady, and Norman Wren feels disgusted.

Wayne’s deal is spoiled, and Batman investigates. He finds Two Face’s whereabouts in a Zeppelin hangar, where Two Face is trying to launch a maiden voyage of a Zeppelin to take his Freaks to his Island. Batman is briefly captures but promptly escapes. He finds the imprisoned Wren and Durbeville, fights off Two Face’s goons but is knocked out and tied up by the Freaks. Two Face flips a coin to decide if he’ll murder Batman or Wren. Wren looses the toss and is thrown from the Blimp to his death. Batman infiltrates the blimp and before being shot, the freaks realize that Two Face’s plans and attitude are not what they want or believe and in the distraction of their disagreement, the Blimp crashes into a circus, where Two Face tries to flea, but is talked down by a freak called The Man With Two Faces, who calls Two Face a disgrace. Batman is able to apprehend Two Face and he is sent back to Arkham. Back in Wayne Manor, Bruce and Alfred reflect on the events and discuss Justice and Fate.

– Tone: I have no problems to report with the tone. It isn’t too silly, it isn’t too dark. Its kind of somewhere in the region of the other two Wagner Batman books I discussed.

– Art: The previous two Matt Wagner books that I had read were absolutely excellent looking. This book isn’t really very good looking at all. Its quite rushed looking, low on detail, a bit “cramped” looking. There are several great looking images, but for the most part its nowhere near as good as the other Wagner books I’ve read. I definitely wouldn’t say “you have to see this just for the art alone.” When comparing it to the other Wagner books, its kind of like what Soul Of A New Machine is to Demanufacture (the universal analogy for a dramatic difference in quality between an artist’s work).

– Overall: Batman Faces is a difficult book to recommend. Not because its bad, but just because its really lite and unsubstantial. There’s nothing as interesting as the Norman Madison emotional breakdown in there. It is kind of cool when the Freaks disagree with Two Face to be fair, but that’s one page. There’s some nice hints of Batman doing detective work and failing, but briefly. The two main thrusts of the book are Two Face’s bad attitude and Wren’s lusty backstabbing. “Weasley character is manipulated by sex” isn’t really anything special. Nor is “Two Face mentions Fate and Duality” unless they’re handled in a new or special way, which they aren’t especially (again, I’m not trying to be rude or anything, its just, not particularly good).

It’s a very short story, its not particularly visually impressive and it just kind of comes and goes without doing or saying anything massively noteworthy. Its not awful by any stretch of the imagination, but in a world where there are far better Batman books out there, I’d be tempted to advise that this one be given a miss if time or money are limited for you. Try out those other two Wagner books I mentioned instead, they’re much more satisfying.

Amateur Batfan: Vol. 4 – The Black Mirror

Hello and welcome to the fourth installment of Amateur Batfan, a series of blogposts here at Kincrimsonblog where I try something new. Instead of writing exclusively about music like I usually would, I’m dipping my toes into the field of writing about comics. I’m fairly new to comics. You can read about my history with the comics medium in the first entry of the series.

Long story short, I liked comics-related stuff but found the whole idea of being a comics fan too embarrassing, and some of the comics I did try were lacking-in-depth, so I didn’t like comics themselves until my friend Magnum opened my mind, multiple times over the years until I finally allowed myself to enjoy them.

In between revising for exams, I’ve spent a lot of today playing Arkham Origins and really, really enjoying it. I haven’t even been playing the story, just running around collecting Riddler packages, scanning Anarchy symbols and architect plaques and enjoying the freeflow combat. Just Batmaning about the place. All that Batmaning put me in the mood to write another one of these blogs.

The soundtrack for this writing session has been Ozzy Osbourne’s Scream album. No, it doesn’t have anything to do with comics. I just haven’t listened to it enough and I want to get my money’s worth. I bought it at the same time as Black Rain and never really listened to either one enough. I heard a song off of Black Rain earlier this week and it reminded me to check them out again. I would say based on the first two songs (I’ve only gotten that far in so far) that this is a much more interesting album than the new Black Sabbath one. Make of that what you will.

Black Rain. Black Sabbath. My theme for this entry is Black.

For the fourth installment of the series, I’ll be covering The Black Mirror. I wanted to write “a modern classic.” To be honest I don’t know for certain if that’s true, but regardless of whether or not its definitively true, it deserves to be true, and its true in my mind.

This book is just straight up excellent. Its everything I want from a comic book. Its intriguing, visceral, adult, great to look at. If you asked me “I want to start reading comic books, recommend one to me” then this is the one I’d give you. (Well, this or ‘Owls). Last time, I said that the book on discussion (Batman Gothic) was good, but that I wouldn’t rhapsodize about it. That is not the case this time. I’d very much like to scream my affection for this book from the rooftops. I full on recommend you swap money for a copy of this book whether you were already planning to or not.

Batman

Batman: The Black Mirror:

– Writers: Scott Snyder

– Art: Jock & Francesco Francavilla

– Colours: Jared K. Fletcher & Sal Cipriano

– Continuity: Post Crisis, Pre-Flashpoint

– Timeline Position: Late Career, Post R.I.P,

– Batman is: Dick Grayson

– Villains: James Gordon Jr., Mr. Guiborg, Sonia Branch, Roadrunner, Tiger Shark, The Joker,
– Allies: Tim Drake as Red Robin, Barbara Gordon as Oracle, Alfred Pennyworth, James Gordon (Police), Barbara Gordon Sr, Harvey Bullock (Police),

– References: Mad Hatter, Scarecrow, Poison Ivy, Jason Todd, Dr. Langstrom, The Flying Graysons,

– Story: [Spoilers as fuck!] The overarching plot revolves around Dick Grayson, who is now Batman since the death of Bruce Wayne, investigating a series of murders in Gotham. The murders are taking place using old versions of Gotham Villain’s signature tricks (eg. prototype Joker Venom, old Fear Gas etc.). He tracks down a crime-loving secret society of asshole socialites, infiltrates one of their auctions (in which they auction off memorabilia from famous crimes) whereupon he is discovered and has to fight them off. Eventually it turns out that Commissioner Gordon’s son James Jr was messed up after the events in Year One, and is a creepy-ass serial killer. This is told through flashbacks and Batman and Red Robin discover it through investigations and adventures that see them fight Roadrunner, Tigershark and The Joker. Commissioner Gordon doesn’t want to believe his son is such a sick fuck, and is convinced that James Jr. can handle his mental health problems with a new experimental medicine, but Barbara knows what James Jr. really is.

James Jr.’s medicine is revealed to have actually been causing psychopathy rather than curing it, and he reveals that it has been mass produced and introduced into the Gotham baby-food supply. He believes that psychopathy and a lack of human empathy is the liberating next stage in human evolution and wants the next generation of Gothamites to be as sick as he is.

James Jr. later tries to kill Barbara (after already poisoning Barbara Sr. and framing the Joker for it to lure Batman into a trap) but fails. Commissioner Gordon finally turns on his son after the attempt on his daughter and ex-wife’s lives, and shoots James Jr. in the leg, knocking him of a bridge in a scene mirroring [Black Mirror, innit] Year One, but the Commissioner saves his life. It is his son after all. Arkham bound, is that sick creepy prick. [Its a sign of great writing when a writer can make you feel genuine contempt for a villain]

In the epilogue Dick and Commissioner Gordon discuss their “long haul” future in the endless fight against crime while looking out the window, and there is a close up of a baby on the street looking a bit disturbed, indicating James Jr’s plan succeeded. Maybe Batman will have to fight that baby when it grows up to be a serial killer.

It’s a lot, lot, lot better than I’ve just made it sound though.

– Tone: The tone of this story is fantastic. Its dark as hell. Its flat out creepy at points, its got a Seven/Zodiac feel a lot of the time, and a Resident Evil 4 feel at other times. Its one of the darkest, most evocative and interesting Batman stories I’ve read to date and it really, really draws you in. It’s the sort of thing that you’ll have to read in one sitting because you just can’t put it down. There’s this great sense of dread and impending doom, as you just know that creepy little prick is evil and is going to start causing havock and break his old man’s heart, and you just sit there waiting for the axe to fall the whole time.

Its absolutely bleak and uncompromising. People have limbs amputated, jaws cut off, its just downright grim.

– Art: The art is absolutely top notch. Its very stylized, but its absolutely fantastic and suits the dark-ass tone of the story so well. It adds to the storytelling in a really powerful way. Its not just good as a storytelling device though, its excellent in and of itself. So many of the covers and individual panels would makes excellent posters. Its definitely in my top-five favourites that I’ve ever seen so far.

– Overall: I think this is hands down one of the best Batman books on the market. I said the art is in my top-five, but y’know what, the whole thing is. Its got a real mean, uncompromising tone, an intriguing and emotionally strong story, brilliant visuals, satisfying fights, no stupid or out of place dialogue, and a heck of a lot of strong scenes.

I said it before, if you want to start reading comic books and you ask me for suggestions, my number one choice is this. Pick it up. Get absorbed. It’s a brilliant serial-killer movie mixed with gadgets and outlandish locations (battle in a plane, in an underwater base etc.). I think this is a good book to check out if you like the Nolan movies. I think its an even better book if you liked the Sin City movie. I think it’s a good book period though. One of the best. Just read the damn thing already.

[Ps. Don’t I say on the market too much? As if I’m some sort of distribution house? I don’t know where I picked that phrase up from.]

‘Till next time!